2. Sebastiao Salgado. Refugees in the Korem Camp. Ethiopia, 1984.
I love the asymmetry of this image. I'm pretty sure the photographer didn't set the subjects up, (though I could be wrong) and I'm very impressed with the composition he was able to pull off. Being able to do that is one of my goals. The piece is very emotional because of the subjects' clothing, expressions, body language. I think the desolate background really helps too.
I love the asymmetry of this image. I'm pretty sure the photographer didn't set the subjects up, (though I could be wrong) and I'm very impressed with the composition he was able to pull off. Being able to do that is one of my goals. The piece is very emotional because of the subjects' clothing, expressions, body language. I think the desolate background really helps too.
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